Interview
 
Juhi Babbar
Actress Juhi Babbar features in full black and white glory in home production, BOLLYWOOD KA SALAAM...which recently opened at the NCPA CentreStage Festival. She is the limelight playing tribal princess Phulwa- resplendent in Oscar winner Bhanu Athaiya's costumes. In conversation with Deepa Ranade.

 Deepa Ranade

JUHI BABBARWho's brainchild is BOLLYWOOD KA SALAAM...1950S KE NAAM?

It is written and directed by Nadira ji, and it was entirely her idea as she is completely in love with that era. It had been on her mind for over two years now, and in last few months she had resolved to stage it. Initially we were unsure about how it was going to turn out, but we are really happy with the outcome.

What are the highlights of the 50s that are being played up?

The kind of Indian cinema that was made in the 50s holds a landmark position even today. Films like Mother India, Pyaasa, Madhumati and Shri 420 are amongst the cult classics of Indian cinema and all these films were made in the 50s. Even though cinema had been around for only a couple of decades in India then, it soon reached creative heights. Excellent commercial films were made alongside more experimental ones. Like Guru Dutt made Mr & Mrs 55 but he also made Pyaasa. That era won India cinema respect and a unique position in the world.

How has the Black & White format been worked out on stage?

BOLLYWOOD KA SALAAM...1950s KE NAAM has a story line with songs from that era. The entire look is black and white. All the costumes are in the hues of black and white. Bhanu Athaiya ji has designed them and it has been wonderful having her on board as we have hgot authentic representations of the kind of work she has done in films like in Madhumati and Shri 420. Apart from that we have a screen put up on the stage thatdisplays titles with music and then it will also work as a backdrop for every scene. Like for a jungle scene, we will have a forest backdrop on screen.The make up has been executed by the Blossom Kochar School of make-up following extensive research.

Who all have been consulted for the play?

Nadira ji pitched the idea to M F Hussain saab who had started off as a hoarding painter. He was super excited. He went down memory lane and came up with so many amazing memories. We have been in touch with veteran stars like Nimmi ji, Kumkum ji, Helen ji , Kamini Kausahl ji, Dilip saab, Dev saab and Shammi ji. They all they have their take on the 50s, and some amazing anecdotes to narrate.

What about your father Raj Babbar? How has he contributed to the play?

Initially he felt that since we are from this industry, no where should the play appear disrespectful. Because these days people are just doing crazy spoofs on old films. Since that era was also melodramatic, yet so realistic and sincere - it had to be portrayed correctly. Rajji saw our rehearsal recently and he was very happy.

What has been the most challenging aspect of the play for you?

Nadira ji's instruction to all the actors was to play our parts with utmost sincerity. We found lines like "Maa main aa gaya!", "Thakurj imaine aapka sapna poora kar diya" or "Kehdo ki yeh jhooth hai..." rather funny. We think of these stock dialogues as comical. But to perform those sincerely took a lot of training from us as actors of this generation. We watched movies from the era, held discussions and had various scene improvisations. It has taken four months of pre production work for the play.

So what is the budget and the team size of this musical extravaganza?

Don't ask the budget. It is really forbidding! Our cast comprises 40 actors, and the entire team works out to be 55 strong. It is truly an extravaganza.

Who are your parents' favourites from the 50s?

Both are great fans of Mother India. My father's favourite is Meena Kumari and mother's is Nargis and both think that their daughterlooks like Madhubala. So that's fantastic.

You are back to cinema in a strange way by actually playing the lead in this play.

I have thought over it and said no to cinema and stuck to theatre but ironically this play has taken me back to the regular heroine stuff - the song and dance routines. I am Phulwa in it, and it is a new role for me after nearly five years. I am paired opposite Ankur Parikh who has been doing theatre with us for nearly six years now. He's really been working hard, so much so that he's been taking private tuitions from my father! I am also assisting Bhanuji with the costumes and there is the administrative work that I take care of at Ekjute. There is a little too much on my hands.

Do you still get butterflies in the stomach before a live performance?

Of course, there are butterflies in the stomach that give you the energy to perform live.

How many shows are you planning to stage? Do you intend travelling with such a huge cast?

We are playing it across Mumbai to begin with. We intend to hit New Mumbai also. We hope to stage five shows over the next two to three months. Although we are a big cast but this is just the kind of play that should represent India abroad.

What are the television and stage projects in the pipeline for you?

I have no time for anything else, Ekjute is completing 30 years in March 2011, and we are putting up a festival on the occasion. So...it is a busy year ahead.

*Deepa Ranade is a film and theatre reviewer. She has been an entertainment journalist for over fifteen years.




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